| 英文摘要
| From Nov. 12, 1937 to Dec. 8, 1941, the so-called \"isolated island\" (孤島) period, films were involved in a complex mix of commerce, art and politics. It reflected the pull between the entertainment of citizens and the aesthetic taste of elites, consumerism and nationalism in the context of war. This paper takes the concept of Pierre Bourdieuu0027s “cultural field” as a research method, combines the response of fiction text to reality, and tries to construct an \"isolated island\" movie field by carefully reading the texts of film and film criticism.
Among them, I will focus on two movies, A Woman Warror (木蘭從軍, 1939) and Gone with the Wind (亂世佳人, 1940), and their criticism. In addition to exploring the obscure expression of time and space in the film in response to the external social reality, I will also examine the views of different voices on the image of female roles on the screen in order to present the competition between different power discourses. |
